Is Gwanno Mask play a restoration or creation? Kangneung Gwanno Mask play is oone of the traditional Korean mask dramas performed by government officials slaves in Kangneung during the Chosen Dynasty. The purpose of this study is to examine the possibility that the Korean version of Indian epic poem “Ramayana” may be related by comparing the narrative structure and characteristics of characters and traditional Indian drama (citra-yavanika) with white cloth. Yangban and young girls meet and have fun.Sisitaktaki appears from somewhere and kidnaps the young girl and takes her away. Yangban hurriedly recovers the young woman, but doubts her purity and curses her. The young woman claims to be pure and tries to kill herself by hanging her head on the beard of a Yangban to prove it. Yangban, who saw this, forgave her and reconciled. This narrative structure is almost identical to “Ramayana”. Rama rescues Sita, who was abducted by Rabana, but doubts Sita's purity. Sita commits suicide by jumping into the fire to prove her innocence. But Sita's purity is proved by Agni, the god of fire, and reconciles with happiness. There are also several investigative books on Gwanno Mask Play, and in the case of Ramayana, it can be confirmed that the narrative structure is very similar, although different conclusions are reached depending on the different books. Kwanno Mask Play seems to have made only the Yangban scene independent in traditional Korean mask plays. However, it is distinguished by its pantomime and the appearance of the character. I examined the possibility that the white cloth, which is said to have been used at the time of restoration of Gwanno Mask Play, was citra-yavanika, a hand curtain from traditional Indian theater. Instead of being obsessed with the ideology of restoring the original Gwanno Mask Play, we should proceed to new research through creative principles.